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Lucy Sante: "I Heard Her Call My Name"

  When I notice my thinning hair, I'm sort of startled. I imagine that a different "hairdryer technique" might erase the problem. I look at photos from my thirties--and there seems to be a watershed moment, a moment when I switch from "normal" hair to middle-aged hair. I didn't sign on for this. Lucy Sante grew up as "Luc." She suspected that she was really female. She felt uncomfortable during sex; she was dismayed when, in her thirties, her waist thickened from a size 29 to a 34 ("sometimes 36"). Once, she moved into an apartment where a red floral blouse had been discarded. She wore it a bit, in secret, and it became the main topic of her fantasies (possibly for years and years). During COVID, in her sixties, Lucy began experimenting with FaceApp. She could program the app to show her an image of her face with any "gender wish" she had an interest in. This was an earthshaking moment; she thought,  I'm not Luc. I'm Luc...
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Tiny Doggie

  One of my favorite children's books, "Owen," concerns a little mouse who won't give up his security blanket. The nutty next-door neighbor warns that Owen will be judged for clinging to the blanket; she advises punitive measures, such as dipping the blanket in foul-smelling vinegar. (The author, Kevin Henkes, is a continual source of free therapy for me. He observes adult anxiety with a compassionate eye. When I was stressed about how to manage my daughter's hair, I would think of a passage from "Still Sal." In that novel, the father runs a brush twice through the lustrous locks of his little hyperactive girl. "Good enough," he says cheerfully, and he moves on with his day.) So far, no one has urged my younger child to get rid of her own security blanket, which takes the form of a stuffed dog, "Tiny Doggie." But the dog is a kind of battlefield. If I want to wash it, I have to trick my daughter into distracting herself; the moment sh...

Terence Winter: "The Sopranos"

  If Terence Winter were alive in an earlier era, he would be a great novelist. "Members Only," "Long Term Parking," "Pine Barrens," "The Second Coming," "University": Each of these standout SOPRANOS hours had its origins in Terence Winter's pen. Winter has observed that he himself is around the age of Tony Soprano; when looking for a memorable detail, Winter could just borrow from his own life. (I think "The Sopranos" is at its best when Tony is just a guy in a kitchen. Tony experiences rage when the OJ is "no pulp" rather than "some pulp." He opens the fridge and stares at its contents, selects nothing, then closes the door, his mind in a daze. He has seismic emotional struggles when he realizes he will need to go without smoked turkey. He clenches his jaw when he learns that tonight's dinner will be "takeout sandwiches from Italianissimo." He becomes visibly awkward when he discloses th...

Books Newsletter

  "The Good Thieves" is an unusual "journey" story. Vita, a survivor of polio, wants to help her grandfather; he has been cheated out of his estate in a town near Hudson, in the 1920s. It's Vita's understanding that a priceless emerald is hidden on the estate. If she can recapture that emerald, she can help her grandfather to buy back his home. Vita is just a child, and she seems to have mainly one talent, an ability to throw knives. She can slice an apple in half--even if she is throwing from a great distance. Fortunately, Vita finds herself in New York City, and many oddball New Yorkers turn up to support her. A little boy across the street tames elephants in a ballroom above Carnegie Hall. Another can perform acts of bravery on a flying trapeze. An unsentimental kid down in the Bowery is able to offer her impressive "pickpocket" talents. As the four children approach their goal, they must think on their toes. A loud cry from one team member seem...

Susie

 When I fold laundry, I like a little trash on my laptop screen. "Unsolved Mysteries," "Elsbeth": The show should have a formula that I can follow without mental effort. Also, if I leave the room, I have to be able to supply the "story beats" in my head, so no rewinding is required. (For example: Bathroom break. During this time, it will emerge that the victim had a relationship with a shady guy, and an investigation will occur. But talking heads will confirm that the shady guy was with friends, on another continent, at the time of the murder.) My daughter is the same way. On a weekday, she just wants to stare at animated skeletons. The skeletons sing about brushing their teeth, or about Christmas traditions, or about general healthy living. Susie is transfixed. Hand her a bowl of Coco Puffs, and she is in heaven. I recently tried something different. I walked my daughter to a screening of "Mufasa." But the formula was new, and the movie was bad,...

"Se7en": Thirty Years Later

  "Se7en" is a mixed bag, but it's a movie I really like. It's structurally inventive. Someone is murdering civilians; the murders take unusual forms. An overweight man is forced to eat pasta until he dies; this is, almost literally, the punishment given to Big Anthony in the "Strega Nona" picture book. A cunning lawyer dies after having sawed off a pound of his own flesh; this act is not "gluttonous," it's not its predecessor; it's an act that is meant to represent "greed." Another man dies after having been chained to a bed for a year; his "sin" is sloth. Then the script does something surprising. Detective Morgan Freeman finds the address of the killer. He does this by conducting a kind of library search to determine which "John Doe" has been raiding libraries for books about murder and books by Dante, Chaucer, Milton. This leads Freeman close to the killer--closer than he realizes--but it also does somethin...

Sondheim: "Dick Tracy"

 Seeing "Mufasa," with its Lin-Manuel flavor, I was reminded of one of my favorite movie scores, for "Dick Tracy." I have no idea why Sondheim consented to write the music, but his writing is much better than the film he is involved with; it seems effortless, and it seems to say,  Go ahead and give me an Oscar if you feel like it.  (Sondheim did win an Oscar.) In his "I Am" song, Dick Tracy bubbles with happiness. Live alone and like it-- Free as the birds in the trees... High above the briars... Live alone and like it-- Doing whatever you please... When your heart desires... Free to hang around or FLY...at any old time... Dick is a delighted bachelor--unentangled. In an apparent nod to his mentor, Hammerstein (king of sparrow/lark/wing analogies), Sondheim writes of a "bird above the briars." Channeling Bobby, from "Company," Sonhdeim goes on to use a series of "sound" metaphors: No equivocation-- Most of all, no guarantees: ...