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My Dream Writer: Calvin Trillin

If you haven't read "Killings," please listen up. Calvin Trillin grew up in the Midwest--in Kansas City--and attended Yale. He developed an interest in writing. Writing, he says, is *not* primarily about sensitivity. Or an ear for dialogue. Or even curiosity. Writing is about confidence--first. A willingness to believe you have something to say, and then the chutzpah of "putting it out there." Trillin, it seems, has had many decades of confidence, confidence in spades. Beyond that, he also has the other stuff: curiosity, sensitivity. He finds outlandish characters and gets inside their minds. He makes us see how colorful figures operate. (He's like the director of "Gloria Bell," who found inspiration by turning a camera on his mother. Trillin seems to erase himself from his own stories, and to "meld" with the people he writes about.) Trillin also thinks outside the box. He says many people write about killings as a way of trying to ...

Trillin

Reporters love murders. In a pinch, what the lawyers call "wrongful death" will do, particularly if it's sudden. Even a fatal accident for which no one is to blame has some appeal. On a daily newspaper, in fact, an accident is one of the few news events whose importance can be precisely measured by the editors who decide how much space and prominence each story is worth. In general, the space it is assigned varies directly with how many people were killed. Sufficient loss of life can elevate an accident story into a category of news that is almost automatically front-page--a disaster. I love this opening from Calvin Trillin's book of essays, "Killings." It reminds me of the work of Janet Malcolm, another writer who is gleeful and blunt in her assessment of a journalist's opportunism. "Reporters love murders": A simple, shocking sentence. The joke continues. Reporters are like vampires, sucking the tragedy out of others, living off that traged...