The appearance before the parole board is an old chestnut. Recently, in "Sing Sing," Colman Domingo's protagonist showed character by describing the theater program he had developed behind bars. A white interlocutor then asked, "If you're such a good actor, how do I know you're not *performing* the illusion of penitence--right now?" "The Simpsons" does something different. A concerned board asks Sideshow Bob why he has "Die Bart, Die" tattooed on his chest. Bob explains that this is simply German; it means "The Bart, The." And an astute adjudicator says, "If he is fluent in German, then he CAN'T be evil...." Sideshow Bob is channeling De Niro's character from "Cape Fear" ... but, most notably, he is channeling Wile E. Coyote. He gets bashed by a speed bump; he gets hot coffee dumped on his head. He nearly suffocates in Homer's cigar smoke. Homer might *seem* idiotic, but he doesn't have ...
It's hard not to see links between pre-Revolutionary Russia and today's United States: empires committing suicide, autocrats swindled by charismatic hucksters. Today's Rasputin might be RFK, Pam Bondi, or JD Vance. Antony Beevor's new book on Rasputin suggests that Tsar Nicholas seemed spectacularly incompetent in part *because* of his religious faith. Thousands of peasants would die in horrific ways, and Nicholas would refuse to alter his party plans. This looked cruel (and of course it *was* cruel). But there was context: Nicholas had a fatalistic outlook. He felt that God was pulling the strings. Rending one's garments wouldn't change God's mind. Rasputin succeeded with Nicholas partly because Nicholas was an idiot, but also because Rasputin had a very deep voice. When the heir to the throne was very ill, Rasputin's low, calming voice helped the heir to regulate his own breathing. And the heir recovered. This turn of events was viewed as miraculous....