https://m.youtube.com/watch?v=8ZvsjbF785g&pp=ygUTbWFkZGllIHRyYWlsZXIgMjAyNg%3D%3D&ra=m I thought "Maddie's Secret" was mind-blowing. It never *works* to make you laugh. The writer/director never seems to break a sweat. Instead, the movie is a singular vision. It's like you're handed "alien goggles." And you see the world in a new way. We begin with Maddie skipping down the streets of L.A., occasionally sniffing jasmine. She is like Maria von Trapp. The world is wonderful! But she needs to make more money if she wants to start a family. So her partner pressures her to share one of her cooking videos with the world. Fame arrives--and its impact is pernicious. Maddie immediately faces criticism because of her weight. She had a traumatic childhood, in which her mother blamed her for family difficulties. (Her mother would often assist with purging sessions--Mom would hold the ponytail so strands of hair didn't dip themselves in the toilet water.) ...
My main reason for seeing "The Lost Boys" was Shoshana Bean. And I had a great time. It's a bad musical. In a way, that doesn't matter. People are up there taking big swings--it's difficult not to feel excited. Shoshana Bean invented her own career. After "Wicked," she did not wait for others to invite her to a recording studio; she figured out how to make her own pop album, and she did the work. It's strange how pop stardom is denied to some and not to others. Bean has the head voice, the belt, and the riffing capabilities of a new Whitney Houston. But--also--who cares? If the pop world doesn't want Shoshana Bean, then Broadway *does* want her. My favorite Bean song is "No One," by Alicia Keys. It is reimagined as a mother/child duet, and it makes me think of my own kids. I know people will search the world To find something like what we have. I know people will try -- try to divide Something so real -- So, till the end of time, I...