My children don't "do" amusement parks; the parks have not been a top priority. But we have one "ride" nearby. It's the Turtle Back Train experience. The train does several things--it does its tasks very well. You get "themed" topiary. (The black bear is dressed in a patriotic hat around the Fourth of July.) You get African vistas; real giraffes seem to wander close to your train. (You can also spot sanga cattle. To me, these descendants of aurochs are the unsung heroes of almost any zoo.) ....After speeding through "Africa," the train makes a sharp turn and soars above a manmade lake (so you may feel you are chugging along the perimeter of Lake Victoria). There are inevitably pedestrians wandering by the lake, and my son, in Princess Di mode, likes to shout, "Enjoy your day!" The final part of the "set" is a model of a ghost town, and here I do think the engineers could have slowed down a bit. They have hastily labe...
Francine Prose describes Caravaggio and his interest in miracles. Caravaggio made us aware: that these miracles had transpired neither in primary colors, nor in brilliantly hued paintings of sanitized saints and celestial fireworks, but in dusty streets and dark rooms much like the streets and rooms in which he himself lived. With Caravaggio, we see the Biblical scene, but we also see Renaissance-era Europeans in the act of posing. Caravaggio wants us to know that he is painting "actors" or performers. Many Renaissance images of Mary Magdalene are at least partly erotic; Caravaggio goes another way. His penitent Magdalene is not a Hollywood pinup. She wears contemporary clothing, and her image "avoids pathos and languid sensuality." Caravaggio's earthiness makes me think of Sondheim: You can pull all the stops out Till they call the cops out-- Grind your behind till you're banned... But you gotta get a GIMMICK... If you want to get a hand... There are cur...