As the big night approaches, here are a few somewhat neglected Tony performances (plus an explanation of why they are historic): *"Kiss of the Spider-Woman." Chita Rivera was in her sixties, and she had recently survived a traumatic car crash. Of course her dancing was wonderful. But she also *sounded* great. Special extra credit for the particular way she alluded to Molina's "slice of hell." https://www.youtube.com/watch?v=Tf16i0OT5xA *"Everyday Rapture." This show was not supposed to make it to Broadway, but it became something like the little engine that could. So many cabaret acts are forgettable. But Sherie Rene Scott proved to be a true artist, digging into the story of her abortion, her sexual attraction to Mister Rogers, her strange Internet feud with a little gay prepubescent theater critic. Scott had never found material worthy of her intellect--so she eventually wrote the material on her own. A terrific literary work. https://www.youtube.c...
As school wraps up, I'm thinking of my favorite commencement speech (a speech by Ann Patchett). Patchett recalls being an undergrad at Sarah Lawrence. She is utterly alone. She has traveled from Tennessee. She has no idea how to spend her time--so she decides to bake cookies for her advisor (who seems like a friendly person). This is--subtly--a metaphor for a writer's life. A writer (or any artist) is someone who feels a weird compulsion to make, make, make. Here, the story becomes something like a fable. Patchett assembles the cookies--but the oven doesn't work. Desperate, she wanders across the road, where she spots a fabulous house. And she asks the owner if she can borrow the oven. The owner happens to be the new president of the college, who has a small family. "And--because I spent time playing with the kids--I was invited back to babysit. And eventually (quickly) I helped to create a little tribe." On some level, Patchett had understood that a tribe was w...