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St. Patrick's Day

 St. Patrick drove the snakes out of Ireland. Once, in his life, he was aided by baying hounds; the sound of the hounds ensured that a particular ship captain would reverse his course and find room for Patrick's safe passage on the sea. Finally, for six years, Patrick served as a shepherd. My own family had an "animal weekend" -- my daughter hopped like a frog to commemorate one of the plagues that waged war with Pharoah. We saw impressive works of taxidermy at New Jersey's Great Swamp -- my son wondered aloud if these were living creatures. And, for a full hour, one of us became a talking unicorn. St. Patrick's Day is the start of spring, additionally -- and, on Sunday, I (at long last) saw a crocus. In my former, childless life, I didn't see the change in seasons as a major event...but anyone with childcare duties knows that the return of warm weather is a gift. Thank God.
Recent posts

Julia Wertz

  Julia Wertz receives a call from her mother, an invitation: "Let's collect eucalyptus spirals!" The trip is an occasion for mild antagonism -- Julia refers to Mom's "nonsense plan," and Mom implies that a certain assumption of Julia's is evidence of insanity. But the tension ebbs *and* flows -- rancor is forgotten when the two women become excited about a redwood log and a possible "new planter." The chat ends with a burp. There is a philosophical discussion. Is a burp a form of "comedic relief"--? Or is that strictly the job of a fart? I don't think these panels are revolutionary, but they're fun. Any kind of journey is (potentially) a story -- on its surface, the eucalyptus mission is banal, but then, it's not something we often see in art. Also, people burp. People talk about farts. I'm glad that Wertz is working to make this observation -- she is even smuggling her observation into the pages of "The New York...

On Fleetwood Mac

  Anne Lamott has a new book out, a book on writing. Her main observation is that writing should not sound literary. If it "sounds lyrical," it's bad writing. The hard work is to *sound* conversational, while conveying deep thought. Can you hear me calling out your name? You know that I'm falling, and I don't know what to say. I'll speak a little louder, I'll even shout-- You know that I'm proud, and I can't get the words out. My personal obsession is with song lines in which a speaker interrupts herself and reverses course. "If I was a sculptor -- but then again, no -- a man who makes potions in a traveling show...." Christine McVie includes *two* versions of herself: the bold exhibitionist and the suffering wallflower. This is a way of signaling an internal conflict. Something's happening...happening to me. My friends say I'm acting peculiarly. Come on, baby; we better make a start. You better make it soon before you break my he...

On Snoopy

We might not often think of Snoopy having a dialogue with Virginia Woolf, but in 1973, the "conversation" occurred. Woolf famously wrote that a female artist should have a room -- a "room of one's own." She was speaking in a figurative way -- but, also, she was not. She was (at least partly) being literal. One should have a room of one's own. Jane Austen's nephew observed that Austen would write in a very public sitting room -- when guests visited, Austen would hide her manuscript under blotting paper, so she wouldn't have to engage in chit-chat about the very strange work that she was attempting. Alice Munro confessed that -- in young motherhood -- she would push her daughter's fingers away from the keyboard, so that she could continue to make progress. (This story has new resonance after the recent Andrea Skinner revelations.) By contrast, Snoopy has a man-vs.-nature problem. You can't write in the dark. "You can't write by firefly...

My Son Josh

  My son is a gifted mimic; one thing he does particularly well is the passive-aggressive tone that adults use when they're making veiled threats. You've heard this tone; it has a kind of exaggerated calmness, a sense of briskness. "Okay, then. I guess we're just not going to go out for ice cream today...." It's a tone that is borrowed from Taylor Swift's "Look What You Made Me Do." Josh uses this tone to taunt his sister, though his vocabulary is still somewhat limited: "Okay. So be mean then. So I guess you are not a nice girl." Susie--who is so bright in so many settings--nevertheless cannot outwit Josh in the game. She cannot rise above. She wails in sorrow; she drowns in the unfairness. Because she firmly believes that she  is  a nice girl. Usually, these scenes occur only at home--while Josh remains angelic at school. But, last week, Josh was constipated, and the discomfort caused him to antagonize his classmates. And I understand...

Saturday Night Live

  In "Weekend Update: Elmo," a young creature is at war with himself. Recently, Elmo has felt threatened by Zoe's pet rock, Rocco. (This tale of professional jealousy makes me think of Timothee Chalamet's recent comments about ballet and opera--one can't help but suspect that Chalamet may have been insecure when pondering a difficult "flavor" of high art.) On a bad day, Elmo made insulting comments about Rocco--but he recovered with a lengthy, thoughtful Instagram apology. (Here, I think of the new Instagram "cover your ass" letter that Anna Camp wrote, with reference to Melissa Barrera.) Just how meaningful is a "mea culpa" on Instagram? Michael Che explores the question by having Elmo confront Rocco in person. And the venomous truth seeps out. ("Rocco does not need a chair....Rocco does not have legs! Elmo furious...") I'm not sure if Chloe Fineman was reflecting on Patti LuPone when she worked on this skit. In any cas...

Movies and Books

What is on my radar:   *"Bombshell." 2016: Megyn Kelly informed Trump of Trump's own comments about women. This led to threats on Kelly's life and threats against her family. So it's understandable that the opportunity to take down Roger Ailes does not fill Megyn with joy. (That said, if she doesn't speak up, she is sending a particular message to younger people, including her own kids. Megyn's ambivalence toward cultural poison--a poison that she herself uses and promotes in many settings--is not fully explored in the movie. That's a shame.) I appreciated certain details in this script. The running joke about Roger Ailes's paranoia (a terrible character flaw that creates special problems on September 12, 2001) is effective. I also liked Allison Janney as a lawyer squaring off against the Murdochs: "Roger Ailes made one third of your fortune. There are three of you. Imagine if one of you could no longer eat...." *"The Dentist," ...