The song "New York" does double duty: It sets the scene and functions as an "I Want" solo. (In this way, it's a bit like "Skid Row" from "Little Shop of Horrors.") Like many other moments in "Two Strangers," "New York" is a case of inadequate writing--the lyricist wants you to laugh at the European tourist's minimal knowledge, but by reaching for cheap jokes, the lyricist sacrifices a sense of realism. In a way, that doesn't matter--because of Sam Tutty's immense charm, and because of the bond linking Tutty and Christiani Pitts. I especially like Pitts in this song; she has to be extremely dry while also conveying a sense that there is chemistry between the two main characters. Pitts is given terse sentences that contrast with Tutty's rambling--she puts a surprising amount of topspin on just two words. ("It's not.") No one thinks that either one of these actors has a shot on Tony night--but ...
Elizabeth Strout writes odd and compelling characters. Artie Dam--her new protagonist--is silently considering suicide. He teaches history at a high school, and his boss has said that local pro-Trump forces are demanding curricular revisions. Artie can no longer ask his students to play the roles of Northern soldiers in a Civil War reenactment. He must now offer a choice between a Northern *or* a Confederate role. Meanwhile, Artie has an angry protege whose talent involves Shakespeare studies. Artie's little protege causes a problem by insulting another student in class. Artie digs deeper. The insult grew from a personal wound; Artie's protege understands that his mother is having an affair, and he doesn't know what to do with his pain. Elsewhere, Artie's adult son Rob suspects that Artie's recent boating accident was not an accident. "You have to promise me you won't kill yourself," Rob says. "Because everything you do is like a map of the stuf...