"Hadestown" succeeds because of its ending. Writers struggle with endings. If you see the crazy new film "Verity," you'll notice that it doesn't even have a conclusion! It's as if the storyteller just tossed her pen out the window and shrugged. But "Hadestown" has a surprising, effective, layered finale. We revisit lines from the first ten minutes of the show. Once again, we're told that Orpheus can see how the world *could* be -- "in spite of the way that it is." The sentence has acquired a new punchiness, because we've just seen "the way that it is." People die, people lose faith. That's the way the world is. "It's a sad song -- but we're gonna sing it again." Often, and particularly on Broadway, producers feel a need to pander -- an ending needs to be "happy" if it's going to be palatable. By contrast, Hermes looks directly at the audience and names what has happened in *his* ...
"To me, autism can be a superpower. What does it mean in your case? It means your child is sensitive, and he doesn't have time for bullshit. How can that be a bad thing?" The family counselor is remarkably professional. She always apologizes for being late -- though she is never actually late. She dresses in neutral tones. She has a way of radiating positive energy -- if it's an act, it's a very persuasive act. In her view, my daughter is headed for the Presidency of the United States. That would be great -- also, no one else actually has this suggestion for my daughter. The "plan" seems to come from nowhere. I say, "I just want to know that my son can eventually date, meet someone, be paired off." The counselor shrugs. "Maybe, and maybe not. Who says there is just one way to be happy?" We meet once per week. I send a weekly agenda. The agenda sounds like a "found object" poem -- the counselor says it could be printed on t...