Liars and Saints

 I have mixed feelings about the impending (possible) win that "Two Strangers" will (might) celebrate for Best Musical. On one hand, I admire the quiet audacity of this show: It's not about romantic love, and in a way it's not even really about friendship. It's truly about two strangers. It is grounded in character; it follows two people through fairly pedestrian problems, and it arrives at a plausible conclusion. On the other hand, on a line-by-line basis, the writing is often not distinguished. I'd save the Tony Award for a later work by these young writers. My two cents. I do think my personal performer of the year is Christiani Pitts. She will not win at the Tony Awards (and this has nothing to do with the quality of the performance). Her role isn't even the flashiest role in her two-character show. But I was touched and charmed by Pitts's work. That doesn't happen often in a theater. Pitts's character has screwed up in an understandable wa...

  "Tuner" is an old-fashioned thriller with ideas. Niki tunes pianos to pay his rent--but, in his past life, he was a gifted pianist. A case of hyperacusis means that he can no longer tolerate most noises. In my childhood, I studied the clarinet with a formerly professional musician. He himself had apprenticed with Luke Cage; when his body stopped working, he had to become a teacher. I could feel the weight of his sadness when I was with him. In "Tuner," Niki's depression is a ticking time bomb. He wants to live his life, but he also carries so much rage because he has been given a raw deal. His mentor encourages him to go out on dates--is this smart? If he can't take care of himself, should he really aim for an ambitious social life? Hyperacusis has an odd surprise for Niki. Because of his sensitivity, he can break the codes for access to various safes. Through a plausible coincidence, Niki falls in with a gang of thieves. He becomes indispensable to these ...

 It's odd to think of "Gypsy" in reference to "The Pitt," but I gotta be me. Sondheim's wonderful gift was his way of showing people at war with themselves; Madame Rose, running on fumes, often wants to self-destruct. Why did I do it? What did it get me? Scrapbooks full of me in the background. Give 'em love--and what does it get you? What does it get you?  One quick look as each of them leaves you. All your life--and what does it get you? Thanks a lot, and out with the garbage. They take bows, and you're batting zero. Like Rose, Dr. Robby has an addiction to work; it's the chaos of professional life that keeps the doctor afloat. Still, quiet moments are terrifying--because they allow for reflection. Dr. Robby doesn't want to think. One of the surprises of "The Pitt's" second season is that it gives Langdon a "Louise" moment. Having spent ten hours seeming insecure, vulnerable, Langdon finally sheds his skin and become...

  Having a child can be a wakeup call. One hundred years ago, literary theorists began to speak of "defamiliarization," the alien gaze. This is where you describe an ordinary object from the perspective of a non-human. A famous example involves Ariel from "The Little Mermaid": "LEGS are required for jumping, dancing....strolling along down the.... what's that word .....STREET!" Well, having a child can be like living alongside Ariel. My son is disturbed--in every sense of the word--disturbed by the existence of insects. Intrigued, alarmed, excited, flustered, enchanted. This is my wakeup call. Insects: They're really strange! We all tend to forget. For a long while, I thought my son used words in the way adults tend to use them: Words were a vehicle for thought. But now I'm realizing that words are (sometimes) more like a placeholder for Josh. They aren't always meant as a means of communication. They're a sound that pops out of his mou...

  Maurice Bailey was ill in childhood, and he spent a great deal of time alone. He grew up with a low opinion of himself; he avoided parties and dates. When he did find himself on a date, he forgot his wallet; he was mortified to ask for money. Although one part of Maurice was committed to a conventional understanding of success, another part had eccentricities. On some level, Maurice understood that his life was boring. He had an interest in flight and in travel by sea. His wife, Maralyn, shared his interest; because the two were childless by choice, they had some options. They talked each other into a crazy plan: they left their dull British stage set and began sailing toward New Zealand in a small boat. Here we get to the present tense action. All is well, until it isn't. A bloodied whale collides with the boat. A shipwreck seems inevitable. Maurice and Maralyn jump onto a raft--and Maurice starts to prepare himself for death. (Maralyn--more optimistic--thinks that a rescue...

 Thinking about Apu, I'm led to recall Charles Dickens. Dickens invented Fagin, a famously antisemitic caricature in "Oliver Twist." Then, confronted with the truth of what he had made, Dickens did a 180. It's widely believed that Riah--the saintly Jewish character in Dickens's final novel--is a kind of "apology" for Fagin. We can still read "Oliver Twist" while wishing that a bit more thought had gone into the recipe. The story of Apu is complicated and lengthy. Writers of "The Simpsons" have been weirdly defensive about their error. One notably said, "This is an era in which people like to pretend to be offended." Another described Hari Kondabolu's work as vicious and small-minded. It does not seem difficult to concede, "Times change. There is a world of difference between 1990 and 2015. We're flawed, we've tried to grow up. End of story." From what I've read, it's Hank Azaria, the actor, who ...