Nothing awakens my inner "teen girl" faster than a Colleen Hoover movie. On Saturday, I went (alone) to "Reminders of Him," a heartstopper. Maika Monroe is driving her car--and she has just "bedded" her fiance in a little secluded lake. Her postcoital recklessness means that she does not swerve for a pothole, and so her car is sent flying off the edge of a cliff. She thinks that she has inadvertently killed her fiance--she stumbles away from the car and drinks herself into a blackout state. But--all along--her fiance has been struggling, slowly dying. Maika is charged with vehicular manslaughter; tearfully, she pleads guilty. But she doesn't know that she is pregnant! For seven years, she can't see her child. She can't even have one postpartum day with the kid--the kid goes immediately to the NICU. But--after seven years--Maika gets out of jail and falls for her new employer. It's just an unfortunate twist that her new employer is also the...
I enjoyed the NYT "Sketch Pad" this weekend -- "How Not to Be the 'Dead Wife in a Movie' Trope." Though the artist doesn't name any particular movies, I believe he is thinking about Rachel Brosnahan in "The Amateur." Also: "Gladiator II." Also: "Deadpool II." The attention to detail is the artist's secret weapon. If you want to stay alive past Act I, you need to fart and be gross. ("Wouldn't it be fun to save all my toenail clippings?") Also, it helps to *ruin* any golden-hour strolls through fields of wheat. (You can do this by making a nutty comment: "I just think it's clear that Kubrick faked the moon landing....") Well done.