I have mixed feelings about the impending (possible) win that "Two Strangers" will (might) celebrate for Best Musical. On one hand, I admire the quiet audacity of this show: It's not about romantic love, and in a way it's not even really about friendship. It's truly about two strangers. It is grounded in character; it follows two people through fairly pedestrian problems, and it arrives at a plausible conclusion. On the other hand, on a line-by-line basis, the writing is often not distinguished. I'd save the Tony Award for a later work by these young writers. My two cents. I do think my personal performer of the year is Christiani Pitts. She will not win at the Tony Awards (and this has nothing to do with the quality of the performance). Her role isn't even the flashiest role in her two-character show. But I was touched and charmed by Pitts's work. That doesn't happen often in a theater. Pitts's character has screwed up in an understandable wa...
"Tuner" is an old-fashioned thriller with ideas. Niki tunes pianos to pay his rent--but, in his past life, he was a gifted pianist. A case of hyperacusis means that he can no longer tolerate most noises. In my childhood, I studied the clarinet with a formerly professional musician. He himself had apprenticed with Luke Cage; when his body stopped working, he had to become a teacher. I could feel the weight of his sadness when I was with him. In "Tuner," Niki's depression is a ticking time bomb. He wants to live his life, but he also carries so much rage because he has been given a raw deal. His mentor encourages him to go out on dates--is this smart? If he can't take care of himself, should he really aim for an ambitious social life? Hyperacusis has an odd surprise for Niki. Because of his sensitivity, he can break the codes for access to various safes. Through a plausible coincidence, Niki falls in with a gang of thieves. He becomes indispensable to these ...