This is a full rave for the fourth and final season of "Goliath," on Prime. "Goliath" is a TV version of film noir; it borrows from "Rear Window," "Vertigo," "Chinatown," and "The Birds," among other films, and it's not subtle in tipping a hat to its influences. For example, in the fourth season, we see an injured, crabby man spying on the apartment across the street. An icy blonde appears behind him. In the third season, a tragic femme fatale, involved in a weird incestuous relationship, ends up prematurely dead; we know she is dead because her head hits the car horn, and the horn just screams and screams and screams. The fourth season asks this question: How would Alfred Hitchcock approach the opioid crisis? We have a powerful family--modeled on the Sacklers--and we know they have been aware, for years, that their product is deadly. One slice of evidence: The family began work on a non-addictive version of an opioid, w...