This is an amazingly shallow movie -- it makes the Bobby Darrin musical look like Shakespeare. If you choose to make a film about a monster but overlook all the evidence of monstrosity, then you're severely limited on the job. The Ebert site's one-star rating seems generous. (That said, because the movie reproduces several of Michael's dance routines, the experience is ridiculously entertaining.) Generally, a coming-of-age story involves the discovery of sex; it's the exploration of sex that lets the protagonist begin to form an adult identity. Janet Jackson is a sturdy example; her recorded works are like a Bildungsroman. She is energetic and charming in "Escapade"--but it's "Love Will Never Do" that throws on all the lights. You put Djimon Hounsou in a little white Speedo, and there's no turning back. Janet's adult entanglements with heartache, death, disappointment, mental illness, cheating--all these feel "relatable." Janet...