Liars and Saints

 There is a terrific example of an "I Am" song in "Two Strangers Carry a Cake Across New York." Dougal is planning to enter a church where his negligent father will get married. Dougal is ambivalent. He calls his mother--a person who was once abandoned mid-pregnancy--and leaves a voice message. He describes the scene: I'm wearing my suit with the scuffs in the knees-- The one that we got for my GCSEs. If I stand in the street any longer, I'll freeze. If I put my eye to the door, I can just about see-- There are hundreds of people and stars on the tree. I'd better go in and say, Hi, Dad, it's me.... As he makes observations, Dougal is thinking. He is crossing a bridge from childhood to adulthood--he is recognizing (at a cost) that someone who remains silent for twenty-five years is likely someone who does not care about you. The good news is that Dougal does not need his father; Dougal already has what he needs. The last time I wore this, I looked lik...

  The song "New York" does double duty: It sets the scene and functions as an "I Want" solo. (In this way, it's a bit like "Skid Row" from "Little Shop of Horrors.") Like many other moments in "Two Strangers," "New York" is a case of inadequate writing--the lyricist wants you to laugh at the European tourist's minimal knowledge, but by reaching for cheap jokes, the lyricist sacrifices a sense of realism. In a way, that doesn't matter--because of Sam Tutty's immense charm, and because of the bond linking Tutty and Christiani Pitts. I especially like Pitts in this song; she has to be extremely dry while also conveying a sense that there is chemistry between the two main characters. Pitts is given terse sentences that contrast with Tutty's rambling--she puts a surprising amount of topspin on just two words. ("It's not.") No one thinks that either one of these actors has a shot on Tony night--but ...