If you’ve watched “Unbelievable,” let’s chat. If you haven’t, skip this piece (and go watch the show!) .... *This work can inspire reverence because it’s so well-done, and because the subject is so serious. But a project I also enjoy is seeing the piece as an actual object, something man-made; it’s fun to consider the gears spinning beneath the surface. One thing that makes the story satisfying is the substantial change we see over time. Obviously, Dever’s character has several watershed moments. She suffers like Job; she is powerless, inarticulate; and yet, ultimately, she wins justice and becomes a badass. (Maybe *too* much of a badass to keep things plausible; there’s a “fan service” quality to her final scenes in the show.) I also like the changes the other protagonists go through. Toni Collette is brassy and ambitious, and she makes a show of rejecting Merrit Weaver’s tenderness--but maybe Weaver actually has rubbed off on Collette, because we see Collette (quietly) allowin...