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Jell-O Girls

I'm writing from Naxos with a brief review of "Jell-O Girls," and, like many of my odd little reviews, this one will contain "spoilers," so beware! - Should you read it? Yes. It's a triumph. I have some quibbles. The opening section is the weakest; it's where Rowbottom tries to inhabit the inner life of her (long-dead) grandmother. These passages feel false and overly generic, and it's unclear to me what is gained by trying to write about a real person in this hammy faux-novelistic way. There just isn't the right level of detail. I would have liked--better--a candid, short essay from Rowbottom: "I didn't know my grandmother, and I have bits and pieces via hearsay, and here is what I have tentatively inferred." Also, a note on socioeconomic stuff. Rowbottom is correct to report on a big complaint about Betty Friedan; with "The Feminine Mystique," Friedan was writing for a very small (white, wealthy) section of the femal...

Ex Libris

I'm headed to Greece tomorrow night! One of the great, and sometimes maddening, things about travel is planning a reading list. I put more thought into this than into clothing, sightseeing. In Jack Viertel's "Secret Life of the American Musical," Viertel admits he is not an ideal traveler, because he just thinks about musicals while he is wandering through ruins. So, for example, he spent his own Greece trip contemplating "A Funny Thing Happened on the Way to the Forum." (That's when he knew he needed to write a book about musicals. And maybe his trip was to Rome, not Greece. See! I'm so deeply aware of geography and history!) I know already that I will spend a fair amount of my Athens time pondering Disney's "Hercules." Specifically: Did anyone acknowledge Disney was clearly ripping off Howard Ashman's gospel trio from "Little Shop of Horrors"? Would the gospel chorus, in "Hercules," have any chance of suc...