Certain critics have recently ranked the best opening numbers in Broadway history; of course, "Hairspray" and "Oklahoma" and "Sweeney Todd" all performed well. Marc thought the number one slot would go to "The Sound of Music"; I was thinking of "Chicago" or "The Music Man." In fact, the spot went to "Fiddler on the Roof."
On further reflection, I'd give my vote to "Guys and Dolls"--a show that didn't get a mention in the top ten. Frank Loesser wrote "Guys and Dolls"; Loesser was a favorite of Sondheim's.
Loesser immediately plunges you into the world he is creating; he gathers a group of racetrack low-lifes, who sing about horses. Each guy is certain he can see the future. "I got the horse right here. The name is Paul Revere...." "For Paul Revere, I'll bite; I hear his foot's all right....Of course it all depends if it rained last night...." "I'm picking Valentine....The guy has got him figured at five to nine....."
This is a "fugue," which we would normally link with an orchestra. But Loesser is saying there is something symphonic--something poetic--about normal life. He hears an orchestra at the tracks--and, because of his work, we can hear the orchestra, as well.
This is magic.
"Guys and Dolls" will be in DC--with Phillipa Soo and Jessie Mueller--within the next several months. (I'd put money on a Broadway transfer.)
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