Skip to main content

Sweeping Up the Heart

One of my favorite writers--Kevin Henkes--has a new children's book available. This is not a picture book, but a brief "chapter book," and, like several of Henkes's other chapter books, it appears to be about a quietly weird kid who meets another quietly weird kid. Misunderstandings ensue.

I admire Henkes because he is so dedicated to his work. And I like that he stretches himself to write not just for tiny PK kids, but also for more-advanced kid-readers.

I also like that Henkes bravely addresses death--the deceased kid in "Olive's Ocean," the motherless Blaze in "Words of Stone." And here's how "Sun and Spoon" begins:

Spoon Gilmore's grandmother had been dead for two months when he realized that he wanted something special of hers to keep. This thought came to him in the middle of a hot, sticky July night and nagged at him off and on until morning.

It was all he could think about at breakfast. He was sitting alone at the kitchen table having the same breakfast he had almost every morning--Cap'n Crunch and...grape juice. His hand wobbled and his juice glass grazed his cheek, nearly missing his mouth, he was so preoccupied. Juice dribbled down his chin....

Either this is your sort of thing, or it isn't. I, for one, encounter the small child so obsessed with a dead relative that the quest for a memento keeps him up late at night....I encounter that child and I have to know more!

This is what you can expect from Henkes country. "Sweeping Up the Heart"--which borrows its title from Emily Dickinson--promises to be more Henkesian daydreaming about oddness and "the hidden profundity in apparently trivial things." I'm excited!

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Raymond Carver: "What's in Alaska?"

Outside, Mary held Jack's arm and walked with her head down. They moved slowly on the sidewalk. He listened to the scuffing sounds her shoes made. He heard the sharp and separate sound of a dog barking and above that a murmuring of very distant traffic.  She raised her head. "When we get home, Jack, I want to be fucked, talked to, diverted. Divert me, Jack. I need to be diverted tonight." She tightened her hold on his arm. He could feel the dampness in that shoe. He unlocked the door and flipped the light. "Come to bed," she said. "I'm coming," he said. He went to the kitchen and drank two glasses of water. He turned off the living-room light and felt his way along the wall into the bedroom. "Jack!" she yelled. "Jack!" "Jesus Christ, it's me!" he said. "I'm trying to get the light on." He found the lamp, and she sat up in bed. Her eyes were bright. He pulled the stem on the alarm and b...

My Favorite Pop Song

  One thing I admire about Prince is his weirdly pretentious verses: Dream, if you can, a courtyard-- An ocean of violets in bloom. Also: Touch, if you will, my stomach. Feel how it trembles inside. No one else writes like this. Did people try to shoot down these choices? Did a producer say, "We'd like to rethink this one... Touch, if you will, my stomach...."  I can't help but wonder. But it's the chorus that makes this a classic. It's direct and universal--and it ends with that bizarre flourish, the allusion to "the crying doves." (Prince's song was number one in America for quite a while; it defeated Bruce Springsteen's "Dancing in the Dark.") How can you just leave me standing-- Alone in a world that's so cold? Maybe I'm just too demanding. Maybe I'm just like my father--too bold. Maybe you're just like my mother; She's never satisfied. Why do we scream at each other? This is what it sounds like when doves cr...