In honor of the approaching big event (Sondheim’s Ninetieth), a few special titles:
*Flashiest Sondheim Rhyme. This, of course, comes from “Company,” when the single ladies are trying to get zombie-like Bobby out of his slump. “When a person’s personality is personable, he shouldn’t oughta sit like a lump. It’s harder than a matador coercin’ a bull to try to get you off a yer rump....” Yes, Sondheim rhymed “personable” with “coercin’ a bull....”
*Biggest Sondheim Near-Miss. There is a special distinction Bernadette Peters has: She originated major roles in both a Sondheim production and an Andrew Lloyd Webber production. She was Broadway’s first Dot, Broadway’s first Witch, and Broadway’s first lead lady in “Song and Dance” (Tony Award). Not even Patti LuPone can say she has been a First both for Sondheim and for ALW. Do you know who came *so close* to this distinction? Betty Buckley. Famously, she was Grizabella in “Cats,” and she won the Tony (despite having almost been fired). Buckley also CAME CLOSE TO BEING BROADWAY’S FIRST WITCH, in “Into the Woods"--and it seems that no one really knows why she didn’t get this honor. Rumors circulate. Rumors about difficult personalities. Rumors about not being able to seem glamorous in Act Two. Rumors about taking too many musical liberties....
*Sondheim’s Personal Favorite (Among His Sentences). Actually, I’m not sure he gives this explicit number-one status, but he is on the record feeling proud of his own ending to “The Road You Didn’t Take,” from “Follies”: “The Ben I’ll never be...who remembers him?”
The song is about a guy in denial (almost all Sondheim types are in denial, all the time): He, Ben, is saying, It doesn’t matter if I didn’t live up to certain ideals, because facts are facts, I am who I am, and the person I am is fine. A nonsense argument--because we tend to make nonsense arguments (in our head) to get through life. It’s a haunting sentence you won’t find anywhere else.
More to come! Happy (early) Birthday, SS!
*Flashiest Sondheim Rhyme. This, of course, comes from “Company,” when the single ladies are trying to get zombie-like Bobby out of his slump. “When a person’s personality is personable, he shouldn’t oughta sit like a lump. It’s harder than a matador coercin’ a bull to try to get you off a yer rump....” Yes, Sondheim rhymed “personable” with “coercin’ a bull....”
*Biggest Sondheim Near-Miss. There is a special distinction Bernadette Peters has: She originated major roles in both a Sondheim production and an Andrew Lloyd Webber production. She was Broadway’s first Dot, Broadway’s first Witch, and Broadway’s first lead lady in “Song and Dance” (Tony Award). Not even Patti LuPone can say she has been a First both for Sondheim and for ALW. Do you know who came *so close* to this distinction? Betty Buckley. Famously, she was Grizabella in “Cats,” and she won the Tony (despite having almost been fired). Buckley also CAME CLOSE TO BEING BROADWAY’S FIRST WITCH, in “Into the Woods"--and it seems that no one really knows why she didn’t get this honor. Rumors circulate. Rumors about difficult personalities. Rumors about not being able to seem glamorous in Act Two. Rumors about taking too many musical liberties....
*Sondheim’s Personal Favorite (Among His Sentences). Actually, I’m not sure he gives this explicit number-one status, but he is on the record feeling proud of his own ending to “The Road You Didn’t Take,” from “Follies”: “The Ben I’ll never be...who remembers him?”
The song is about a guy in denial (almost all Sondheim types are in denial, all the time): He, Ben, is saying, It doesn’t matter if I didn’t live up to certain ideals, because facts are facts, I am who I am, and the person I am is fine. A nonsense argument--because we tend to make nonsense arguments (in our head) to get through life. It’s a haunting sentence you won’t find anywhere else.
More to come! Happy (early) Birthday, SS!
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