Dramatic irony: when we readers know something that our protagonist is unaware of.
A famous example: Elaine believes she is a fabulous dancer, on "Seinfeld." (We see contradictory evidence.) Or, in "Red Dragon," we're very much aware of the danger the blind lady faces with Francis, though the blind lady is oblivious.
James Marshall has an entry in this canon. In "The Photograph," Martha is way off her game; as a model, she is lacking. (Distortions of perspective cause her nostrils to resemble massive caverns.)
Martha--blessed with crazy self-confidence--believes that the photo is a masterpiece.
And P.S. .....We see this crazy self-confidence again, in "The Artist." It's endearing to me.....
P.P.S. This is a very rare case where a George and Martha story has only one character. Actually, I can't think of another example!
P.P.P.S. Dramatic irony, continued: Lazar and Tevye meet in "Fiddler." We know that Lazar is trying to talk about Tzeitel. For a while, Tevye mistakenly thinks Lazar is talking about the purchase of a cow.
A famous example: Elaine believes she is a fabulous dancer, on "Seinfeld." (We see contradictory evidence.) Or, in "Red Dragon," we're very much aware of the danger the blind lady faces with Francis, though the blind lady is oblivious.
James Marshall has an entry in this canon. In "The Photograph," Martha is way off her game; as a model, she is lacking. (Distortions of perspective cause her nostrils to resemble massive caverns.)
Martha--blessed with crazy self-confidence--believes that the photo is a masterpiece.
And P.S. .....We see this crazy self-confidence again, in "The Artist." It's endearing to me.....
P.P.S. This is a very rare case where a George and Martha story has only one character. Actually, I can't think of another example!
P.P.P.S. Dramatic irony, continued: Lazar and Tevye meet in "Fiddler." We know that Lazar is trying to talk about Tzeitel. For a while, Tevye mistakenly thinks Lazar is talking about the purchase of a cow.
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