Skip to main content

The Genius of Howard Ashman

 Howard Ashman's greatest achievement is possibly "Belle," the opening of "Beauty and the Beast."

Disney would never create a song like this again--though the creative forces certainly *tried* to do just that, with "One Jump Ahead," from "Aladdin."

Really, the only song I can recall that rivals "Belle" is *another* Ashman opener, "Skid Row," from "Little Shop." In "Skid Row," we meet two of the stars, and we hear of their issues, and at the same time we get a lively discussion of life in a depressed city. ("Downtown....where the cabs don't stop....downtown....where the food is slop....." "Where the guys are drips...." "Where they rip your slips....")

"Belle" does three things quite well. First, it sets up Belle's story in a "meta" way. Belle tells us what will happen to her--and she does this through a discussion of a fairy tale she loves...."Isn't this amazing? It's my favorite part because....you'll see....here's where she meets Prince Charming....but she won't discover that it's him....till Chapter Three....."

Second, the song introduces us to Gaston, and to his weirdly charming/idiotic vibe. "Right from the moment when I met her, saw her...I said she's gorgeous, and I fell...." This line is so special because there is *no distinction* between seeing and meeting, for Gaston. A meeting is only skin-deep, always.

Third, Howard Ashman brings an entire town to life, with dazzling economy. Watch how the song ends. "Bonjour! Pardon! Mai ouis! You call this bacon?" "....I need six eggs!" "I'll get the knife...." "Those fish....they smell..." "That bread...it's stale...." "Madame's mistaken...." "What lovely grapes!"

Here is the work of a man enchanted by words, and by details--a born writer. The speakers seem to leap off the page.

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Joshie

  When I was growing up, a class birthday involved Hostess cupcakes. Often, the cupcakes would come in a shoebox, so you could taste a leathery residue (during the party). Times change. You can't bring a treat into a public school, in 2024, because heaven knows what kind of allergies might lurk, in unseen corners, in the classroom. But Joshua's teacher will allow: a dance party, a pajama day, or a guest reader. I chose to bring a story for Joshua's birthday (observed), but I didn't think through the role that anxiety might play in this interaction. We talk, in this house, quite a bit about anxiety; one game-changer, for J, has been a daily list of activities, so that he knows exactly what to expect. He gets a look of profound satisfaction when he sees the agenda; it doesn't really matter what the specific events happen to be. It's just about knowing, "I can anticipate X, Y, and Z." Joshua struggled with his celebration. He wore his nervousness on his f...

Josh at Five

 Joshie's project is "flexibility"; the goal is to see that a plan is just an idea, not a gospel, not a guarantee. This is difficult. Yesterday, we went to a restaurant--billed as "open," with unlocked doors--and the owner informed us of an "error in advertising." But Joshie couldn't accept the word "closed." He threw himself on the floor, then climbed on the furniture. I felt for the owner, until he nervously made a reference to "the glass windows." He imagined that my child might toss himself through a sealed window, like Mary Katherine Gallagher, or like Bruce Willis, in "Die Hard." Then--thank the Lord!--I was able to laugh. The thing that really has therapeutic value for Joshie is: a firetruck. If we are out in public, and he spots a parked truck, he wants to climb on each surface. He breathlessly alludes to the wheels, the door, the windows. If an actual fire station ("fire ocean," in Joshie's parla...