I don't have a neat and tidy essay on "White Lotus," but here are a few thoughts (with spoilers); we watched the finale last night.
*I was nowhere near to predicting the ending. A model I kept using was "Beatriz at Dinner"; the obtuse, powerful man remains obtuse, and the oppressed person ends up dead. This is *also* what happens in "Lotus" (but not even in the same universe as the events I half-imagined).
One thing Mike White does really well is: building and building on the antagonism between two characters, so that a violent rupture begins to seem inevitable. This is how "Beatriz" worked--and it turns out to be how "Lotus" works, as well.
*Jake Lacy talks about how the show centers on transactions; the show repeatedly highlights how money can taint a relationship.
It's fascinating to see Belinda change as she begins to envision the business in her future; you see a hint of calculation behind her eyes, and she offers a business card with her cell number to the Daddario character. Time passes; Jennifer Coolidge breaks Belinda's heart. Then, having no understanding of what has occurred with Belinda, Daddario seeks advice. And Belinda has her first fully-honest line in a long, long while: "You want my advice? I'm all out."
(I also love that phrase, "I'm all out," as if bits of advice were a couple of Junior Mints from a box. If Daddario doesn't realize that she is involved in a transaction, Belinda certainly *does* have that understanding.)
*It's rare to find people in TV Land who write perfect pilots, and then continue to deliver, and deliver, and then "stick the landing." "Breaking Bad" was inconsistent. "Big Little Lies" lost steam. "Mad Men" wore out its welcome. With "Enlightened," Mike White wrote an unusual, close-to-flawless series. He has done this again with "White Lotus."
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