Skip to main content

Maplewood, New Jersey

 The back road I live on is like a large family -- a family where everyone hates one another.


Do you know the scene in "Footloose" where it's revealed that no one in the town can opt to dance -- because the old meanies have legally banned dancing? I have one of those meanies in my life. She is a dinosaur, and she writes to the back road to complain that our road-maintenance funds are misused as "a party war-chest." Too many parties! No one responds to this puzzling screed, so then the screed gets reissued, and no one responds, and all of this occurs once again.

I don't know where these parties are happening; if they're happening, I'm not invited. 

Another source of tension is the "put-up-a-sign" camp. We have a group of Pollyannas who believe that any big problem can meet its match through a well-placed sign. "Don't Speed." "Don't Drive Over Leo's Garden." "Don't Visit Here If You're a Large Truck." Inevitably, the pragmatists say, "Signs don't work." And the Pollyannas push back: Surely an angry, underpaid truck-driver would pause, read a polite (and attractive!) sign, and reschedule his tasks appropriately? (I'm with the pragmatists here.)

My favorite dickish neighbor is Krysia, who has now moved. Krysia felt overwhelmed by life -- and her neediness was symbolized by a large, broken-down car that she had deposited in a coveted parking space. The car didn't move for many months. One morning, Krysia sent a mysterious email, asking "for the aid of six strapping, young men, at exactly noon." Hours passed. At one PM, Krysia wrote again: "No men arrived at my door, so I can never move my dead car. I'm relocating to South Orange. The car is your problem now."

I miss Krysia, to this day.

It's a little sad when the crazy emails trickle off -- but I know I need only wait a bit, and someone's dog will "maul" the lawyer over on Walton.

To neighbors! To life!

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Raymond Carver: "What's in Alaska?"

Outside, Mary held Jack's arm and walked with her head down. They moved slowly on the sidewalk. He listened to the scuffing sounds her shoes made. He heard the sharp and separate sound of a dog barking and above that a murmuring of very distant traffic.  She raised her head. "When we get home, Jack, I want to be fucked, talked to, diverted. Divert me, Jack. I need to be diverted tonight." She tightened her hold on his arm. He could feel the dampness in that shoe. He unlocked the door and flipped the light. "Come to bed," she said. "I'm coming," he said. He went to the kitchen and drank two glasses of water. He turned off the living-room light and felt his way along the wall into the bedroom. "Jack!" she yelled. "Jack!" "Jesus Christ, it's me!" he said. "I'm trying to get the light on." He found the lamp, and she sat up in bed. Her eyes were bright. He pulled the stem on the alarm and b...

My Favorite Pop Song

  One thing I admire about Prince is his weirdly pretentious verses: Dream, if you can, a courtyard-- An ocean of violets in bloom. Also: Touch, if you will, my stomach. Feel how it trembles inside. No one else writes like this. Did people try to shoot down these choices? Did a producer say, "We'd like to rethink this one... Touch, if you will, my stomach...."  I can't help but wonder. But it's the chorus that makes this a classic. It's direct and universal--and it ends with that bizarre flourish, the allusion to "the crying doves." (Prince's song was number one in America for quite a while; it defeated Bruce Springsteen's "Dancing in the Dark.") How can you just leave me standing-- Alone in a world that's so cold? Maybe I'm just too demanding. Maybe I'm just like my father--too bold. Maybe you're just like my mother; She's never satisfied. Why do we scream at each other? This is what it sounds like when doves cr...