Skip to main content

A Favorite Book

 A novel of manners is just about how people talk to one another in cafes, on dates, in offices. For a certain reader, this is catnip; I am that certain reader.


Elinor Lipman, queen of comic novelists, writes about manners. She considers how you might send a gentle reminder if your e-mail correspondent seems to have become a ghost. She memorizes the people who show up for a particular funeral -- then she notes how the act of "showing up" moves mountains. She sees the comedy in a cover letter, or a resume -- and she helps us see the comedy, too.

A few years ago, Lipman's husband died, and Lipman didn't want to leave the house. So she mocked herself, in fiction; she invented a widow who is terrified of the world, and who wants to market a sex-free Match.com service called "Chaste Dates." When Lipman did find herself stepping out, she kept a journal close at hand; she later found a spot in her novel for "a blind date, a former baseball player who effectively ended our romance when he ordered lasagna, then removed wet gum from his mouth and stuck it to the bottom of the restaurant's chair."

Lipman also has fun describing a chauvinist who arrives one hour early to a date--without warning--then berates his new friend for having failed to get ready. The chauvinist turns to his stooge and says, "Just drive." When the world is unkind to the chauvinist, the crazy guy is surprised. "Just work with me," he says. "Come on. You said you'd eat with me."

The Lipman book I'm describing is "The View from Penthouse B" -- and it's about ordinary people struggling at the office and in moody Manhattan bars. It's everyday life -- but we see things in a fresh way, because of Lipman's talent. It's funny and moving -- a "mic drop" book.

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Raymond Carver: "What's in Alaska?"

Outside, Mary held Jack's arm and walked with her head down. They moved slowly on the sidewalk. He listened to the scuffing sounds her shoes made. He heard the sharp and separate sound of a dog barking and above that a murmuring of very distant traffic.  She raised her head. "When we get home, Jack, I want to be fucked, talked to, diverted. Divert me, Jack. I need to be diverted tonight." She tightened her hold on his arm. He could feel the dampness in that shoe. He unlocked the door and flipped the light. "Come to bed," she said. "I'm coming," he said. He went to the kitchen and drank two glasses of water. He turned off the living-room light and felt his way along the wall into the bedroom. "Jack!" she yelled. "Jack!" "Jesus Christ, it's me!" he said. "I'm trying to get the light on." He found the lamp, and she sat up in bed. Her eyes were bright. He pulled the stem on the alarm and b...

My Favorite Pop Song

  One thing I admire about Prince is his weirdly pretentious verses: Dream, if you can, a courtyard-- An ocean of violets in bloom. Also: Touch, if you will, my stomach. Feel how it trembles inside. No one else writes like this. Did people try to shoot down these choices? Did a producer say, "We'd like to rethink this one... Touch, if you will, my stomach...."  I can't help but wonder. But it's the chorus that makes this a classic. It's direct and universal--and it ends with that bizarre flourish, the allusion to "the crying doves." (Prince's song was number one in America for quite a while; it defeated Bruce Springsteen's "Dancing in the Dark.") How can you just leave me standing-- Alone in a world that's so cold? Maybe I'm just too demanding. Maybe I'm just like my father--too bold. Maybe you're just like my mother; She's never satisfied. Why do we scream at each other? This is what it sounds like when doves cr...