First, I made three predictions about this season--and I scored a 33/100!
That's a failing grade, but it's not a zero.
Early in the season, Mike White had Cameron screaming about his luggage. ("He just gets like this sometimes.") I guessed that Cameron would not be responsible for the killing, because he seemed too much like Jake Lacy. Having "the Jake Lacy guy" end someone's life just felt too repetitive.
Mid-season, my husband texted me with rumors about Greg engineering an eventual murder of Tanya. I said, "That just seems too elaborate for Mike White, imo." Wrong! When I finally accepted the reality of the murder plot, I was touched by Tanya's effort to help Portia, and I wrote, "Maybe these two will save each other in the finale." Wrong again!
I just want to mention how moved I was by Valentina's story. At the start, Valentina seems repressed and gratuitously mean. (She tells Tanya, "You look like Peppa Pig.") A misguided crush on an employee then puts wind in Valentina's sails. We might wish that Valentina would really study her employee's subtext, and at least ask, "Are you gay?" But how many of us rush ahead with our silly fantasies and forget to do our homework (on a regular basis)? That's life.
Valentina may regret the "employee" business, but, also, I think that stepping out on that particular stage is an important moment for the character. Valentina begins to understand (or to admit) what she wants. And she does get what she wants--in a transactional, real-world, limited way, from Mia. At the end of the story, Valentina is a bit less lost. She has something like "a plan," even if there is a great deal of work ahead for her.
People on The Ringer have noted that Mike White draws on his own life in his writing; White's access to emotional truth is the great strength in his work, and it's there even when the storyline is a bit absurd. The portrait of Valentina seems to be White's love letter to his own dying father; famously, White, Sr., did not come out until mid-life. How beautiful that Mike White has made this effort to transform his father's own halting, clumsy journey into a work of art.
Finally, as someone who is forty and feeling a bit at sea, I found myself cheering for Valentina. I'm on "Team V." If the "strega" can "grow," then there's hope for all of us.
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