"Guys and Dolls" is--like "The Sopranos"--about two semi-separate worlds. One world is the disreputable universe of gambling. The other is the "domestic front," the turbulent world called Loveland.
What makes the show extraordinary is Frank Loesser's gift for language. Loesser was not a gambler; it's not clear that anyone in history has ever been anything like the characters in a Damon Runyon story. But Loesser absorbed Runyon's influence and had fun with words. In Loesser's vision, an aggrieved girlfriend shouts, "Take back your mink!" Elsewhere, a Paulie Walnuts type tells his friends about a promising horse on the tracks:
And just a minute, boys:
I've got the feed box noise.
It says the *great-grandfather* was Equipoise...
Shows class! Shows class!
This guy says the horse shows class....
Most famously, a troubled soul addresses the goddess Fortuna, right before a craps game:
You're on this date with me.
The pickings have been lush...
And yet, before this evening is over, you might give me the brush.
You might forget your manners!
You might forget to stay...
And so--the best that I can do--is pray.
Luck, be a lady tonight....
No one else writes this way.
I'm pleased to see we'll be getting a new film version.
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