"Succession" pointed the way toward its own conclusion; it has been pointing for a few seasons.
The show seemed to suggest that Roman was headed toward some kind of death; we saw him throwing himself in front of an angry crowd, and we saw him amping up his nihilistic language ("Dad, you're a monster," "nothing matters," "forcing the election of a fascist is just an act of producing good TV"). Roman didn't literally die, but his final scripted moments--"we're bullshit, we're clowns"--seemed like a kind of *spiritual* self-annihilation.
The relentless backstabbing between Shiv and Kendall ("you're dirt," "you're unwell") seemed to be building toward a final betrayal. The actual betrayal was a delight; it led to one of the best lines this season ("I love you, but I can't stomach you"). Also, this scene had the most startling moment in a long while, I think; it's the moment when Kendall tries to pretend his story about the dead waiter was just a work of fiction. This is clearly a reference to Logan's own monstrousness; Logan famously said that a cater-waiter is essentially a "non-person."
I felt strongly that Jesse Armstrong would not answer the surface-level "who will win Waystar" question, or that he wouldn't dwell on the answer (because the question didn't matter all that much). We do get an answer of sorts: Tom gets the power. However, we're told that Tom will simply be a mouthpiece--and, in fact, it isn't clear how decisions will occur. Maybe Tom will make a few? Maybe Lukas will be dictatorial? Maybe both Tom and Lukas will bow to Shiv? I don't really care, and I suspect that Jesse Armstrong doesn't really care.
I do have a nagging feeling that something was left unfinished. I think that great fiction can show people changing over time. They don't need to change *for the better*--but a little change is an interesting feature. This is what an artist can illuminate: How does Momma Rose go from tyrant to weakling? How does Lady Macbeth gain and then lose everything (including her own life)? By contrast, Kendall's loss seems so very, very small. It's a bit of a letdown.
Although "Breaking Bad" ran out of steam in its last hour, it did have the courage, over several seasons, to show a loving family in real decline. It's a long way from the birth of Holly to the knife fight in "Ozymandias." I think "Breaking Bad" is my gold standard for TV writing.
All that said, I had so much fun with the Roy family, and I'll "miss" these actors (even if they have success in other roles).
And "The Wire," in terms of 'gold writing'?
ReplyDeleteI watched just a few episodes of "The Wire." I do see fans commenting on the inconsistency in quality from season to season. All I can say is that I like David Simon's ex-wife, Laura Lippman; her writing is very interesting to me.
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