Skip to main content

Letter From Santa Fe












My favorite spot in Santa Fe is the Cocteau Cinema, one of few indie film theaters in NM, owned and resuscitated by George R.R. Martin.


Movie lovers are interested in "Sight and Sound," a publication that ranks the all-time great films (every few years). Martin has made a parody of this effort--"Splice and Splatter"--a podcast with discussions of horror movies. The poster features Kathy Bates, Ghostface, Sissy Spacek, Janet Leigh, and (a personal favorite) one of the three masked killers from "The Strangers."


Right now, the Cocteau Cinema will give you a glass of wine and a screening of the Paul Giamatti "Rewatchable" prizewinner, "Sideways." 


Next to the Cocteau you will spot "Beastly Books," another strong idea from George Martin. Here, you'll see a corner devoted to "banned" novels--"The Giver," "The Dead Zone," "The Satanic Verses," "Maus," and so on. There is a coffee shop--and an area in celebration of Karen Russell ("Orange World"), Leigh Bardugo ("Hell Bent"), Grady Hendrix, Stephen King, Justin Cronin. A banner says, "Protect Trans Kids," and it's playful; the words are clustered between the jaws of a yawning werewolf.


All this talk of books makes me recall that the NYTimes is listing the "Blue Ribbon Books of This Current Century." I'll add my own top ten here:


*"No Visible Bruises"

*"Love Marriage"

*"Absolutely True Diary of a Part-Time Indian"

*"Someday This Pain Will Be Useful to You"

*"Iphigenia in Forest Hills"

*"The List of Things That Will Not Change"

*"Can't We Talk About Something More Pleasant"

*"Everything Is an Emergency"

*"Unscripted"

*"You Only Call When You're in Trouble"


Till next time.

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Raymond Carver: "What's in Alaska?"

Outside, Mary held Jack's arm and walked with her head down. They moved slowly on the sidewalk. He listened to the scuffing sounds her shoes made. He heard the sharp and separate sound of a dog barking and above that a murmuring of very distant traffic.  She raised her head. "When we get home, Jack, I want to be fucked, talked to, diverted. Divert me, Jack. I need to be diverted tonight." She tightened her hold on his arm. He could feel the dampness in that shoe. He unlocked the door and flipped the light. "Come to bed," she said. "I'm coming," he said. He went to the kitchen and drank two glasses of water. He turned off the living-room light and felt his way along the wall into the bedroom. "Jack!" she yelled. "Jack!" "Jesus Christ, it's me!" he said. "I'm trying to get the light on." He found the lamp, and she sat up in bed. Her eyes were bright. He pulled the stem on the alarm and b...

My Favorite Pop Song

  One thing I admire about Prince is his weirdly pretentious verses: Dream, if you can, a courtyard-- An ocean of violets in bloom. Also: Touch, if you will, my stomach. Feel how it trembles inside. No one else writes like this. Did people try to shoot down these choices? Did a producer say, "We'd like to rethink this one... Touch, if you will, my stomach...."  I can't help but wonder. But it's the chorus that makes this a classic. It's direct and universal--and it ends with that bizarre flourish, the allusion to "the crying doves." (Prince's song was number one in America for quite a while; it defeated Bruce Springsteen's "Dancing in the Dark.") How can you just leave me standing-- Alone in a world that's so cold? Maybe I'm just too demanding. Maybe I'm just like my father--too bold. Maybe you're just like my mother; She's never satisfied. Why do we scream at each other? This is what it sounds like when doves cr...