At the height of his powers, Sondheim wrote "A Weekend in the Country," whose lyrics I once scribbled on various math assignments during my highschool years. It's an astonishing transitional number in "A Little Night Music." Desiree has invited her former flame to a party, perhaps hoping to stage an extramarital coup. The new wife--Anne--is scandalized.
It's that woman! It's that Armfeldt!
The actress! The ghoul!
She may hope to make her charm felt...
But she's mad if she thinks I would be such a fool--
As to weekend in the country....
Sondheim understands that Anne--despite her protests--secretly craves drama. Anne is unhappy in her marriage. A trainwreck might be useful. A friend persuades Anne to *accept* the invitation--and to flaunt her youthful beauty. "Wear your hair down--and a flower. Don't use makeup. Dress in white. Desiree will grow older by the hour--and be hopelessly shattered by Saturday night."
With stunning ease, Sondheim moves the chess pieces all over the board. Anne makes a remark about her husband's penis. (Being in the country is an opportunity to "watch little things grow.") In another corner of the city, a brutish husband demands that his wife join him for Desiree's party. The wife has no interest--but because the guy is an asshole, he ignores the wife's arguments. Then, amazingly, he makes a final comment: "Happy Birthday! It's your present. You haven't been getting out *nearly* enough." Finally, Sondheim shows off his eye for detail: The stationery's "engraved and very grand...." "delivered by hand..." "so chic, you hardly can read it..."
"Even the ink" is worthy of comment.
It's a delight to hear this number in the new Broadway revue. On the other hand, the title song from "Into the Woods"--which seems like a regurgitation of "A Weekend in the Country"--probably ought to be cut. Though it's heretical to say, I might also remove "Gypsy" and "West Side Story." (Sondheim didn't write the music.) I'd use the new space to insert some "Sunday" numbers ("Finishing the Hat," "Move On") and some more from "Night Music" ("Every Day a Little Death," "The Miller's Son"). And it's worth recalling that "Anyone Can Whistle"--despite its troubles--yielded a famous title song plus "There Won't Be Trumpets" plus "With So Little to Be Sure Of" plus "Everybody Says Don't." Not one of these songs makes it into the new revue.
Regarding Bernadette: I was happiest to see her as Little Red in "Into the Woods." More than other performers, Bernadette is able to (a) recall the context of the specific story she is telling and (b) find what is universal in the given scenario. We understand Little Red's dilemma: She has clear instructions from Mom, but she finds herself drawn to the sexy Wolf. Bernadette seems to poke fun at herself even as she makes the wrong decision; it's impossible not to empathize with her foolishness. And she finds a sense of wonder in the tiniest observation: "Take extra care with strangers...Even flowers have their dangers!"
I can't comment on Lea Salonga, because she was out sick. I wonder, did Taylor Swift ever find herself so ill that she "couldn't perform" during the Eras tour? I won't go any further. Clearly, I don't know what I'm talking about. It does seem disingenuous for the producers to say, "You can always reschedule." If your plans involve sitter coverage and interstate travel, the sentence rings hollow. (Perhaps Sondheim, a wealthy bachelor, didn't always think about suburban parents.)
Clearly, I had a great time.
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