I skipped the "Downton" years on TV, but I've become a fan of the movies; any time people are crowded into one space and required to plot and scheme, I'm on board. "Downton" resembles a "campus" novel: people are forced to work side by side, and power struggles ensue.
The new "Downton" is interested in boundary-crossing. Dominic West is a movie star, and his boyfriend is a servant; when the servant receives an invitation to mingle among various representatives of the gentry, scandalized whispering occurs. There is also a strange subplot in which a villager writes a successful film. Literary talent can be a vehicle for social advancement; think of Alexander Hamilton. But the writer's spouse wishes to remain a servant--and so marital discord ensues.
The other thing I like here is the discussion of divorce. Matthew Goode can't stay married to Michelle Dockery--presumably because Matthew Goode's agent/manager has done some double-booking. The writers have responded with a clever subplot. Goode's character has an extramarital affair--and, to protect the reputation of the girlfriend, Goode pretends to have slept with "a mere streetwalker." The confession of a "purely physical" sin allows Goode to save his own good name--while also providing "adequate" grounds for divorce. Meanwhile, it's Dockery who suffers; there is an idea that she is damaged goods, and so she should not show her face at major social events.
"Downton" understands that people are animals; there are grasslands "codes" that we all must obey. But these codes can be malleable--if you're courageous and you have an imagination.
I had a pretty good time with "The Grand Finale."
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