One of Sondheim's main ideas was that musicals can be about grownups. Musicals can express grownup emotions. His fellow Williams alum, Bill Finn, agreed; like Sondheim, Finn built many songs on sex and ambivalence.
I don't look for trouble.
I do not accept blame.
I've a good and a bad side--
But they're one and the same.
Ask me to arouse you--
I will rise and obey.
These are the games I play.
Whizzer in "Falsettos" is comfortable being a fuckboy -- even his name, "Whizzer," seems to be a sign of immaturity. Having become involved with a semi-married man, Whizzer finds that he must wrestle with adult moments of sadness. He is irritated by this -- but he clearly isn't stupid.
It's tough with love.
Love's tough to show.
Let me face the music--
It's a song that I was waiting to hear so long--
So long ago.
Although a part of Whizzer would like to continue just masturbating and playing canasta, another part is interested in being half of a functional relationship.
Finn continuously plays with the idea of games -- pickleball, baseball, canasta, betting at the tracks. Even if we try to be forthright, we are likely playacting in some ways. Whizzer can't decide on a next move, but at least he can name and describe his own indecisiveness.
I bet on the horses--
I die by degree--
I'm sure his divorce is...
A tribute to me.
Ask me if I love him.
It depends on the day.
These are the games I play.
There is one more game --" family charades" -- tucked into this set of elegant lyrics. The lines seem so idiosyncratic and bizarre; at the same time, I think they are the result of careful planning.
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