I find deep pleasure in disliking something I'm "supposed to" like -- and that's how I feel about the current revival of "Ragtime."
Everything about this effort seems misguided. It's a resuscitation of a mediocre show that does not need to be resuscitated. Also, the "bold vision" seems to be this: "We've taken everything from the original production and made it slightly worse!" It's like the 1990s "Ragtime" -- but without a set. It's like the 1990s "Ragtime" -- but without Audra McDonald. It's like the 1990s "Ragtime" -- but without an effective publicity team. (It seemed especially unfortunate that the production announced a "first choice" Sarah, only to lose her. The team then announced a "second choice" Sarah, only to lose her. "Grab your wallet and come on out for....our *third* choice!")
"Why look for answers where none occur?" The earnest, rule-following stars of "Ragtime" have made media appearances -- and, when pressed to discuss the "thematic richness" of the show, they widen their eyes and talk about Terrence McNally's profound "racism is bad" message. That's to be expected.
What I can't tolerate is a new series of clips, in which the stars are filmed while listening to the cast album. They don't dance; they don't even wiggle in entertaining ways. They just sit solemnly -- at times, on very high notes, they clutch one another in awe.
I know that this is a nod to the film "Trolls" -- when the Justin Timberlake song came out, we were all treated to video footage of Anna Kendrick lip syncing with a hairbrush. But at least the hairbrush was interesting. It was sort of funny. With "Ragtime," you just see unshaven Astoria residents (Broadway actors) in sweatpants -- sitting in folding chairs and silently admiring their own work.
Enough already. When "Ragtime" wins Tony Awards, there should be an asterisk. (And the footnote should say this: "Bear in mind that the main competition in this odd, dispiriting year was....a revival of Chess.")
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