Joshua Henry's impending Tony win has me thinking about "Violet"--the one and only show to place Henry next to Sutton Foster. In "Violet," Henry plays Flick, a somewhat conflicted young sergeant traveling through North Carolina on a Greyhound bus.
It's the 1960s; several people on the bus are praying. One hopes for domestic harmony; another wants a "successful" visit to a faith healer. By contrast, Flick *argues* with God.
Too bad we don't see eye to eye, Lord--
We could pass the time of day.
Flick befriends the titular character, who claims that her faith healer will repair her damaged face. (Violet has suffered a terrible accident involving an axe.) Flick--having grown up impoverished and Black in the 1950s--immediately understands Violet's anger. He offers advice (and we suspect that, on some level, he is really advising himself):
My family never had too much--
Made the best of every day.
Ate what's on our plate, you know--
Never threw a thing away.
We kept our nightmares on the shelf--
Our dreams were on the table.
Pass 'em down and help yourself--
As long as you are able...
Though Violet believes that her end destination is the "miracle facial repair" clinic, her end destination is really Flick. At the show's conclusion, the two make a tentative commitment to each other.
If I ask you to be with me by and by--
Will you meet me tonight, love?
If it's too dark to see with the naked eye--
Will you bring me to light?
If I happen to stagger and fall behind--
Will you help me to fight, love?
Will you help me to walk--will you ease my mind?
Will you bring me to light?
Sometimes, an award feels "corrective." When Jeremy Irons won prizes for "Reversal of Fortune," people said he was really winning for "Dead Ringers." The same is *not* true here. Joshua Henry will fully--truly--win prizes for "Ragtime." He deserves the wins for "Ragtime." At the same time, I (and many others) will also be thinking about "Violet"--Joshua Henry was award-worthy in that show, as well.
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