The recent Times interview put a spotlight on a Taylor Swift song I admire; this is a widely beloved song.
I want you to know
I'm a mirrorball--
I'll show you every version of yourself tonight.
I'll get you out on the floor--
Shimmering, beautiful--
And when I break, it's in a million pieces.
To me, this is notable because Taylor is speaking directly to the listener. This isn't unparalleled--but, in other settings, I tend to think of Taylor in storyteller mode, writing to "Betty," to Jake Gyllenhaal, to her mother.
The idea is that a pop performer--or any public figure--is just a vessel to be used. You listen to a pop singer so that you can learn or understand something about your own life. "When I break, it's in a million pieces." The personal failures of the songwriter are a gift to the world--because the shattering yields a million pieces (a million songs).
This composition is celebrated for its bridge:
And they called off the circus--
Burned the disco down.
When they sent home the horses
And the rodeo clowns--
I'm still on that tightrope.
I'm still trying everything to get you laughing at me.
I'm still a believer, but I don't know why--
I've never been a natural--
All I do is try, try, try.
I'm still on that trapeze--
I'm still trying everything--
To keep you looking at me.
The blunt confession seems like a prediction; it's pointing the way toward another notably honest song, "You're on Your Own, Kid." The circus/rodeo imagery also seems to foreshadow "The Life of a Showgirl." (But I think "Mirrorball" is more interesting than "Showgirl.")
Pop stars--particularly female pop stars--tend not to have a lengthy shelf life. Taylor Swift doesn't have a "solution" for this. So she writes about the problem. "When they sent home the horses...I'm still on that tightrope...trying everything to get you laughing at me..."
This is an odd, rueful self-portrait--it's completely charming. It's nice that the writer had a chance to talk about it in the Times.
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