My family has a tradition of watching the Betty Buckley Tonys performance from "Cats." My daughter calls this "the CAT Ballet," and both of us pretend to groom our fur by licking our forearms. "Cats" is so strange, and the backstage stories are the weirdest of all. Judi Dench was going to debut the song "Memory"--how could that be? Some kind of health emergency interfered. On Broadway, Buckley was almost fired. No one behind the ad campaign understood the relevance of the words "Now and Forever." But *someone* knew that these words would sell tickets.
Victoria Clark (more or less) started her career with her role as "the opera cat."
My favorite line is the following: "Can you--as cats do--begin with a C?" This is followed by a sustained high C. It's a "meta" moment. It's like the famous interlude in "Hamilton," in which King George signals his own madness by *ascending* the scale even as he sings, "Empires FALL!"
I don't want to see the current "Cats" because I understand that the large, noisy fans in the audience can be irritating. (I recently watched a woman fanning herself with a playbill through the entirety of "Death of Salesman." No one--no one--should ever be encouraged to wave an object--any kind of object--within the audience in a theater.) Also, as much as I love the dance numbers, I feel sleepy during "The Theatre Cat," "Skimbleshanks," "Macavity," "Jennyanydots," and so on. I cannot forget.
Still, "Cats" was--by far--the highlight of yesterday evening. Who would have thought?
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