Skip to main content

Dad Diary

An annoying thing happened at my child's school. His teacher inexplicably disappeared for three months--and the district, frantic for coverage, hired a sixteen-year-old replacement. No, she was not sixteen. But she was pretty close.


My shrewd son quickly sussed out the truth--the new teacher was not adequately familiar with her "steering wheel." No one was captain of the ship. This caused distress for my son--who could not express his distress in complex sentences. So he began to pull down his pants.


Pulling down one's pants is a not uncommon choice in the context of a speech delay. But the choice was terrifying for the sixteen-year-old--who chose not to share her concerns with my spouse or with me. To me, this choice has just a whiff of (unexamined) homophobia. It's hard to believe--if my child had a mom--the situation would have been handled in the same way.


Long story short. My son essentially lost three months of instructional time because the classroom was spinning out of control--and my husband and I were left to make inferences that should not have been inferences. There should have been clear communication. Cosmically, this is not a big deal. All is well.


But I write to share something I learned from this. It's called DEARMAN. When I have a difficult conversation, I feel rudderless. I have no idea how to construct sentences. But DEARMAN has made my life easier. It's a step-by-step guide to delivering your messages. Describe what happened. Emote. Ask for a concrete change. Then I don't know the rest of the acronym--because the rest does not matter. The crucial step is to emote. If you do not explicitly name your emotions, people will be left to wonder--because we human beings are not very bright. Naming the feeling helps everyone--it helps all parties in the conversation.


So that's my TED Talk. I know things now--many wonderful things--that I hadn't known before.

Comments

Popular posts from this blog

How to Host a Baby

-You have assumed responsibility for a mewling, puking ball of life, a yellow-lab pup. He will spit his half-digested kibble all over your shoes, all over your hard-cover edition of Jennifer Haigh's novel  Faith . He will eat your tables, your chairs, your "I {Heart] Montessori" magnet, placed too low on the fridge. When you try to watch Bette Davis in  Hush Hush Sweet Charlotte , on your TV, your dog will bark through the murder-prologue, for no apparent reason. He will whimper through Lena Dunham's  Girls , such that you have to rewind several times to catch every nuance of Andrew Rannells's ad-libbing--and, still, you'll have a nagging suspicion you've missed something. Your dog will poop on the kitchen floor, in the hallway, between the tiny bars of his crate. He'll announce his wakefulness at 5 AM, 2 AM, or while you and another human are mid-coitus. All this, and you get outside, and it's: "Don't let him pee on my tulips!" When...

Raymond Carver: "What's in Alaska?"

Outside, Mary held Jack's arm and walked with her head down. They moved slowly on the sidewalk. He listened to the scuffing sounds her shoes made. He heard the sharp and separate sound of a dog barking and above that a murmuring of very distant traffic.  She raised her head. "When we get home, Jack, I want to be fucked, talked to, diverted. Divert me, Jack. I need to be diverted tonight." She tightened her hold on his arm. He could feel the dampness in that shoe. He unlocked the door and flipped the light. "Come to bed," she said. "I'm coming," he said. He went to the kitchen and drank two glasses of water. He turned off the living-room light and felt his way along the wall into the bedroom. "Jack!" she yelled. "Jack!" "Jesus Christ, it's me!" he said. "I'm trying to get the light on." He found the lamp, and she sat up in bed. Her eyes were bright. He pulled the stem on the alarm and b...

My Favorite Pop Song

  One thing I admire about Prince is his weirdly pretentious verses: Dream, if you can, a courtyard-- An ocean of violets in bloom. Also: Touch, if you will, my stomach. Feel how it trembles inside. No one else writes like this. Did people try to shoot down these choices? Did a producer say, "We'd like to rethink this one... Touch, if you will, my stomach...."  I can't help but wonder. But it's the chorus that makes this a classic. It's direct and universal--and it ends with that bizarre flourish, the allusion to "the crying doves." (Prince's song was number one in America for quite a while; it defeated Bruce Springsteen's "Dancing in the Dark.") How can you just leave me standing-- Alone in a world that's so cold? Maybe I'm just too demanding. Maybe I'm just like my father--too bold. Maybe you're just like my mother; She's never satisfied. Why do we scream at each other? This is what it sounds like when doves cr...