Brad Pitt is so good in this movie. He is just acting opposite a dog--really, four dogs (taking turns). In sum, you are watching a two-hour monologue delivered by Brad Pitt.
Pitt has survived a war (maybe the most recent war in Iraq?) His "battle dog," Odin, has also survived, but Odin has lost a leg and developed a now-lingering case of PTSD. The two friends travel to Alaska for rest and relaxation. Pitt has a heart attack while trying to pilot his little plane--this then becomes a survival/adventure story.
There are three main antagonists: a rushing river, a bear, and a pack of wolves. Pitt, the actor, makes a smart choice; he will not "externalize" his despair. So he becomes something like Henry Fonda or Gregory Peck; it's just a joy to watch him.
The trick about camera work is that viewers *want* to ascribe human feelings to dogs. You show an image of a suffering child--and then you show a dog's face--and the viewer *reads* empathy in the dog's eyes. Because Pitt is a compelling actor, he (also) makes the *dog* seem compelling. Even a slightly less intelligent human star would have destroyed the movie.
Things go over-the-top at the climax, but I didn't mind. I was swooning. I'm so pleased to have seen this.
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